Recitals of Artist’s Music and Sound Works

Slave Pianos, Recitals of Artist’s Music and Sound Works, Programme Text

Slave Pianos, Recitals of Artist’s Music and Sound Works, Programme Essay

Slave Pianos (of the Art Cult)

Slave Pianos, Slave Pianos (of the Art Cult), Programme Text

An Evening With Slave Pianos

Stephen O’Connell Slave Pianos, art/text #67, 1999

Slave Pianos, An Evening With Slave Pianos, Invitation

Slave Pianos, An Evening With Slave Pianos, Programme Text

Slave Pianos, An Evening With Slave Pianos, Press Release

Music of the City

Sebastian Smee Slave to the Music, Sydney Morning Herald, 1999

Slave Pianos, Music of the City, Programme Text

Slave Pianos, Music of the City, Score (Preface)

Slave Pianos, Music of the City, Archival Material (Correspondence)

¡¡Emancipate the Dissonance!!

Slave Pianos, ¡¡Emancipate the Dissonance!!, Press Release

Slave Pianos, ¡¡Emancipate the Dissonance!!, Poster

Adrian Dannatt. Duchamp and Beuys, Not Debussy and Beethoven. The Art Newspaper, 99, January 2000

Slave Pianos, ¡¡Emancipate the Dissonance!!, Press Release

Pianology

Slave Pianos, Recitals of Visual Artists’ Music and Sound Art, Programme

Slave Chamber: menage a quatre

Slave Pianos, Slave Chamber: menage a quatre, Programme Text

George Maciunas In memoriam Adriano Olivetti, 1961

The Vibrational Liquid of Improvisation

Slave Pianos, The Vibrational Liquid of Improvisation, Programme Text

Renee Geyer Leave My Body Alone / Be There In The Morning, 1978

Caged Uncaged: Unleash the Beats

The Compromised Economy of Desire and Fear

Slave Pianos, The Compromised Economy of Desire and Fear, Press Release

China Art Objects Galleries: Slave Pianos

Charles LaBelle Slave Pianos, Frieze, #53, 2000

Mark von Schlegell Slave Pianos, Flash Art, May-June, 2000

Peter Frank Piano Slaves, LA Weekly, March 17–23, 2000

Non-Objective Labour: Towards a dialectical theory of corruption

Slave Pianos, Non-Objective Labour, Press Release

Vitaly Komar & Alexander Melamid Music Writing - Passport, 1976

Songs of Life

Slave Pianos, Songs of Life, Invitation

Non-Objective Brass

John McDonald Never mind the quality, feel the price, The Sydney Morning Herald, 2001

Slave Pianos, Non-Objective Brass, Programme Text

Aperto

Slave Pianos, Aperto, Programme Text

A Long Tale with Many Notes

Jeff Pressing Condiments spice a meal of miniatures, The Age, 2000

Allan Kaprow 7 Kinds of Sympathy, 1975

Alison Knowles Nivea Cream Piece, 1962

Imants Tillers Queue Actions, 1973

Damp Estate Dry White (Front)

Damp Estate Dry White (Back)

Damp Estate Collaborative Sauvignon (Front)

Damp Estate Collaborative Sauvignon (Back)

David Cross Uncovering a Taxonomy of Australian Fluxus

The Broccoli Maestro

John McDonald The Virtuoso of Failure, 2001

Stuart Koop Slave Pianos, art/text, #86, 2001

Slave Pianos The Broccoli Maestro, 2001

Judith Pascal Fuck the polis, 1998

The Broccoli Maestro

Alistair Riddell From the lip: myth, word, aesthetic recycling, Real-Time Arts, September, 2001

Chris McAuliffe Art. Isn’t it the kookiest thing?, The Age, 2001

Slave Pianos, The Broccoli Maestro, Programme Text

The Strange Voyage of Bas Jan Ader

Slave Pianos, The Strange Voyage of Bas Jan Ader, Review

The Voyage or Three Years at Sea (Part 2), September-October 2011

Slave Pianos, The Strange Voyage of Bas Jan Ader, Review

SLAVE PIANOS: A diagnosis, 1998–2001

Slave Pianos, SLAVE PIANOS: A diagnosis, 1998–2001, Text

Rob Adlington Taking soundings: music, non-music, and SLAVE PIANOS, 2001

Track Listing (Cassette Tape)

Track Listing (LP)

Track Listing (CD)

John McDonald Slave Pianos: Pianology, 2001

Slave Pianos, SLAVE PIANOS: A diagnosis, 1998–2001, Work (Credits)

Foreign Knowledge: I Have Made A Heap of All That I Could Find

Peter Tyndall I Have Made A Heap Of All That I Could Find, Tension, June 1990

Slave Pianos, Foreign Knowledge, Archival Material (Correspondence)

SLAVE PIANOS, Neglect Is No Laughing Matter

Slave Pianos, Foreign Knowledge, Programme Text

Two Lives in Flux: And Vice Versa

Plakarte (English translations)

A Schema and Historo-Materialist Pro-gnostic

Slave Pianos, A Schema and Historo-Materialist Pro-gnostic, Score (Codes)

Slave Pianos, A Schema and Historo-Materialist Pro-gnostic, Score (Codes)

Slave Pianos, A Schema and Historo-Materialist Pro-gnostic, Interview

Slave Pianos, A Schema and Historo-Materialist Pro-gnostic, Programme Text

Dissident Consonances

John McCaughey SLAVE PIANOS & ASTRA / MACIUNAS & LANDSBERGIS

Slave Pianos, Dissident Consonances, Invitation

Slave Pianos, Dissident Consonances, Press Release

Slave Pianos, Dissident Consonances, Programme Menu

Slave Pianos, Dissident Consonances, Programme Text

Never Forever: Fluxus Was a Sajudis Trick!

Panel Discussion

Afterglow: Performance art and photography, MGA

Slave Pianos, Never Forever: Fluxus Was a Sajudis Trick!, Programme Text

Afterglow: performance art and photography

The Execution Protocol (I)

Slave Pianos The Execution Protocol

Susan Shineberg Meet the wonderful weird guys in their orange jumpsuits , The Age, October 20, 2007

Penny Webb Clouds mostly hot air second time around, The Age, October 24, 2007

Archival Materials and Audio Catalogue

The Execution Protocol (II)

Anthony Gardner The Same River Twice, Art & Australia, 2009

Slave Pianos, The Execution Protocol (II), Programme Text

Slave Pianos, The Execution Protocol (II), Work (Credits)

Slave Pianos, The Execution Protocol (II), Institutional (Catalogue Essay)

Scholte Gestalte

Slave Pianos, Scholte Gestalte, Proposal

Penalogical Pianology

Slave Pianos, Penalogical Pianology, Work (Credits)

Slave Pianos, The Fatal Score, Programme Text

Extracts from the Case against the Slave Piano

Slave Pianos, Penalogical Pianology, Review

Slave Pianos, Penalogical Pianology, Review

Slave Pianos, Penalogical Pianology, Review

New Cathaysia

Slave Pianos, New Cathaysia, Programme Text

Slave Pianos, New Cathaysia, Archival Material (Correspondence)

Slave Pianos, New Cathaysia, Work (Credits)

See Who’s Dying

The Execution Protocol (III)

Slave Pianos, The Execution Protocol (III), Work (Credits)

Slave Pianos, Punkasila and Pipeline to Oblivion at MUMA, by Dan Rule

Punk rocking the old order, by Robert Nelson

Critical Mass: Cultural Conduits, Translations and Provocations, by Shelley McSpedden

To come out touching nothing but a piano, or Coding Down, by John C. Welchman

The Gift: Redaction and Decontamination

The Gift - Redaction and Decontamination

Slave Pianos, The Gift: Redaction and Decontamination, Work (Credits)

ReturningThe Gift: Slave Pianos and Conceptualising Music, by Philip Brophy

Un Magazine | Slave Pianos Review by Dylan Rainforth

Sedulur Gamelan/Gamelan Sisters

Slave Pianos, Sedulur Gamelan/Gamelan Sisters, Work (Credits)

Reproducing Building

The Lepidopters

The Lepidopters: Mandible One: Mind of the Moths

Afterglow: performance art and photography

The Fatal Score

SLAVE PIANOS: Bibliography

SLAVE PIANOS: Contact

SLAVE PIANOS