Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Aktuelle)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Aktuelle)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Aktuelle)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Aktuelle)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Aktuelle)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Aktuelle)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Aktuelle)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Aktuelle)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Aktuelle)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Aktuelle)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)

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Jean Tinguely Relief Meta-mechanique Sonore 1, 1955 [2:42]

Dieter Roth (as Diter Rot) Der Akkordeon Fluch, 1981–2

George Brecht Comb Music (Comb Event), 1959–62 [0:07]

Lillian Budd (Merryln Tweedie with Ivan Zagni) Studies For Existence, 1998 [1:01]

Joseph Beuys & Nam June Paik Klavierduett In Memoriam George Maciunas [0:25]

Anthony Clark (as The Living Rococo) Untitled, 1981 [4:56]