Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Aktuelle)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Aktuelle)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Aktuelle)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Aktuelle)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Aktuelle)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Aktuelle)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Aktuelle)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Aktuelle)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Aktuelle)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Aktuelle)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Slave Pianos, Recitals of Artist’s Music and Sound Works, Documentation (Procedural)
Jean Tinguely Relief Meta-mechanique Sonore 1, 1955 [2:42]
Daniel Malone Soundtrack to The Strike Church
Dieter Roth (as Diter Rot) Der Akkordeon Fluch, 1981–2
Domenico de Clario From The Opaque, 1994–95
George Brecht Comb Music (Comb Event), 1959–62 [0:07]
Jean Dubuffet Coq a L’oeil, 1961 [0:39]
John Nixon (as Two Greys Becoming) 2, 1981
Katarina Fristch Unken (Extrait)
Lillian Budd (Merryln Tweedie with Ivan Zagni) Studies For Existence, 1998 [1:01]
Into the Void Bank Roll
Marco Fusinato Ep in E
Peter Tyndall (as Slave Guitars) 6, 1981 [4:03]
Joseph Beuys & Nam June Paik Klavierduett In Memoriam George Maciunas [0:25]
Anthony Clark (as The Living Rococo) Untitled, 1981 [4:56]



























































