Untitled: February 2008. 20 min. Work for piano and sine tones. Written for Leonardo Music Journal (Vol. 18).
Untitled: October 2007. 20 min. With Neil Kelly & Graeme Leak. Work for mechanical drum machine, machine listening & computer controlled mechanized piano. First performed on October 26 2007 at Federation Square in Melbourne. Written for the Melbourne International Arts Festival.
THE EXECUTION PROTOCOL — A WAR OF CURRENTS: FLOATING PAINTINGS / PIANO EXECUTION — ON ANDY WARHOL'S ELECTRIC CHAIR — $250 | 250 Clouds | 200 People | 88 Notes | 2000 Volts — Andy Warhol Silver Clouds (1966) / Slave Pianos Electric Chair (2007). With Slave Pianos. First performed Monday the 22nd of October, 8:30 - 11:00pm. The Great Hall of the National Gallery of Victoria. Written for the Melbourne International Arts Festival.
NEVER FOREVER: FLUXUS WAS A SAJUDIS TRICK! — or: Checkmate / FluxWake for Rimvydas Survila / George Maciunas — or: Dissident Consonances. With Slave Pianos. First performed 7pm, Friday 28th September 2007. Art Forum Berlin, Messedamm 22, Berlin Charlottenburg. Written for the Kunstlerhaus Bethanien and the House of World Cultures.
DISSIDENT CONSONANCES or: THE IRON CURTAIN, THE FLUX-LABYRINTH & LITHUANIAN HOUSE or: Chairman George Maciunas & President Vytautas Landsbergis. 96 min. With Slave Pianos and Astra Chamber Music Society. music, art, non-art, theatre, diaries, letters, poetry, testimonies, political writings, manifestos, film, dance, games, food, drink and other objects by Slave Pianos, George Maciunas, Vytautas Landsbergis, Jonas Mekas, Leokadija Maciunas, Claudio Monteverdi, Henry Purcell, Jean DeMaque, M.K.Ciurlionis, Anonymous (14th Century), Ottavio Rinuccini, Keith Humble, George Brecht, Nam June Paik, Joseph Beuys, Larry Miller & Joe Jones. First performed at Lithuanian House, 44 Errol Street, North Melbourne, 5pm Saturday 26 / 5pm Sunday 27 May 2007, dir. John McCaughey. Written for the Astra Chamber Music Society.
Futen Rojin Nikki (Extracts). 9 min. For four organs, harpsichord, four-part choir and four-channel tape. Text Rohan Drape after writing by Junichiro Tanizaki. Unperformed.
As Far East as Bemm River. 13 min. With Tom Hall. Revision & reworking of As Far South as Kettering. For four instruments, amplified narrator and four-channel tape. Text by Tom Hall and Rohan Drape after writings by Gerald Murnane. First performed December 2005 in London. Written for the Rout Ensemble.
Untitled: September 2005. 23 min. Three pieces for computer generated image, computer generated sound and computer operator. Text by A. Schoenberg. First performed on September 29 2005 in Melbourne. Written for Articulating Space.
Two Lives in Flux: And Vice Versa. 47 min. With Slave Pianos. An acoustic theatre for two soloists, two choirs, folk ensemble, six instruments and two-channel tape. Text by Slave Pianos after writings by George Maciunas, Vytautas Landsbergis and colleagues. First performed on September 6 2004 in Vilnius. Written for Vilnius Festivals.
Untitled, March 2003. 24 min. With Neil Kelly. For electric guitar, computer operated piano, live computer generated sound, and two channel tape. First performed on March 24 2003 in Footscray, Melbourne. Written for Articulating Space.
As Far South as Kettering. 13 min. With Tom Hall. For four instruments, amplified narrator and two-channel tape. Text by Tom Hall and Rohan Drape after writings by Gerald Murnane. First performed on November 2 and November 5 2002 in Cambridge and Dartmouth. Written for the Rout Ensemble.
Foreign Knowledge: I Have Made A Heap of All That I Could Find. 48 min. With Slave Pianos. A documentary monodrama for soprano, narrator, computer operated piano and two-channel tape. Text by Slave Pianos after writing by Peter Tyndall. First performed on Friday September 27, 2002 at the Old Court House Building, Ballarat. Written for the The Kunstlerhaus Bethanien and The University of Ballarat.
Untitled, July 2001. 1 min. For female voices, piano and two-channel tape. Text by I-Hsuan Lin-chi. First performed on Sunday 4th November and Monday 5 November 2001, at Gasworks Theatre, South Melbourne. Written for the Astra Chamber Music Society.
The Strange Voyage of Bas Jan Ader. 28 min. With Slave Pianos. A radio play in one act for six players, six instruments and two-channel tape. Text by Slave Pianos after writings by Bas Jan Ader and Donald Crowhurst. First performed on Sunday 14 October and Tuesday 16 October 2001 at the Klangbrucke in Aachen and Malkasten in Dusseldorf. Written for the Neuer Aachener Kunstverein.
The Broccoli Maestro. 36 min. With Slave Pianos. A chamber opera in two acts for six voices and six players and two-channel tape. Libretto by Slave Pianos after writings by Tony Clark and his circle. First performed on Friday 22 June and Saturday 23 June 2001 at the North Melbourne Town Hall. Written for Chamber Made Opera.
Untitled, June 2001. 8 min. Reworking of Andrew Byrne's Layers for two-channel tape and interactive computer generated sound. First performed on Thursday June 28 2001 in Collingwood, Melbourne. Written for the Andrew Byrne.
Untitled, April 2001. 12 min. For interactive computer generated sound and two-channel tape. Text by Rohan Drape after writings by Stefan Wolpe and Milton Babbitt. First performed on Monday April 16 2001 at Footscray, Melbourne. Written for Articulating Space.
A long tale with many notes. 54 min. With Slave Pianos. Twenty-seven works for string quartet, fax machine, and white board. First performed on Saturday 15th July 2000 at RMIT Gallery, Melbourne. Written for RMIT Gallery.
Aperto. With Slave Pianos. Eight works for percussionist, interactive computer display and turntablist. First performed on Monday 17th July 2000 at the Australian Centre for Contemporary Art, Melbourne. Written for the Australian Centre for Contemporary Art.
Non-Objective Brass. With Slave Pianos. Five works for Brass Choir. First performed on Wednesday 26th July 2000 at the Australian National Gallery, Canberra. Written for the National Gallery of Australia.
Non-Objective Labour: Towards a dialectical theory of corruption. With Slave Pianos. Five works for string quartet and computer operated piano. First performed on Saturday 15 April and Wednesday 19 April 2000 at the Baltiyski Dom Theatre in St Petersburg and at The Contemporary Music Centre in Moscow. Written for the Sergey Kuryokhin International Music Festival.
The Compromised Economy of Desire and Fear. With Slave Pianos. Nine works for trumpet, piano accordion, turntablist, two-channel tape and electric ensemble. First performed simultaneously at The Public Office Carpark, Melbourne and China Art Objects Galleries, Los Angeles on Saturday 26 February 2000. Written for China Art Objects Galleries.
Caged Uncaged: Unleash the Beats With Slave Pianos. Six works for violin and computer operated piano, four percussionists, computer operated piano and tape, and turntablist. First performed on Sunday 5 December 1999 at Lombard-Freid, New York. Written for Lombard-Freid Fine Arts.
Slave Chamber: menage a quatre With Slave Pianos. Five works for string quartet, violin and computer operated piano. First performed on Friday 3 December 1999 at Lombard-Freid, New York. Written for Lombard-Freid Fine Arts.
Pianology With Slave Pianos. Two works for computer operated piano. First performed on Thursday 2 December 1999 at Lombard-Freid, New York. Written for Lombard-Freid Fine Arts.
Untitled, October 1999. For four percussionists, computer controlled piano and four-channel tape. First performed on Sunday 10th October 1999 at Northcote Town Hall, Melbourne. Written for the Astra Chamber Music Society.
Music of the City. With Slave Pianos. Five works for string quartet. First performed on Friday August 6 1999 at Darren Knight Gallery, Waterloo, Sydney. Written for Darren Knight Gallery.
An Evening With Slave Pianos. With Slave Pianos. Four works for computer operated piano. First performed on Saturday 15 May 1999 at Moore St Gallery, Melbourne. Written for Darren Knight Gallery.
Slave Pianos (of the Art Cult). With Slave Pianos. Ten works for computer operated piano. First performed on Tuesday 9 March 1999 at Stills Gallery, Edinburgh. Written for The Chartwell Trust.
Recitals of Artist's Music and Sound Works. With Slave Pianos. Fifteen works for computer operated piano. First performed November 1998 at Museum Fridericianum, Kassel. Written for The Chartwell Trust.
Untitled, April 1997. For six part choir. First performed at Trinity College Chapel, Melbourne. Written for the Victorian Chamber Singers.
Untitled, October 1997. For alto flute, bass clarinet, 'cello and piano. First performed on Sunday 5th October at Elm Street Hall, North Melbourne. Written for the Astra Chamber Music Society.
Untitled, May 1997. For viola, clarinet, 'cello, and piano. First performed May 1997 at Latrobe University, Melbourne. Written for Perihelion Quartet.
Untitled, October 1996. For four part choir, two clarinets and piano. First performed on Sunday 13th October 1996 at St Mary's Anglican Church, North Melbourne. Written for the Astra Chamber Music Society.